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“How to Fall – explorationaI.”

Impro Sprint Creation of a 180 seconds music composition and Solosocial Dance Practice for the Disembodied with 9 stages inspired by Vivaldi’s Baroque “Four Seasons” Autumn…Fall Season shifting towards a Universal MoveMentUm of Liberation, falling a.part, freezing, stillness, separation & beginning again…

photographies, music, texts © by André Boeing, ktopia.eu
background photo taken last week on a regenerative farm in the geographical center of Sweden before leaving for NASM.

I spent the first night after the first New Art School Modality x documenta 16 “how to fall” course afternoon improvising and weaving impressions & inspirations from the nutrient dense lectures into a 3 minute music piece composed for a 180 seconds Solo-Social Dance Practice Ritual with 9 chapter stages I imagined..

Developed as part of my self assigned Impro curriculum I began an iterative, practicing process of composing < dancing > playing unplugged live Cajon for beat tuning, adjusting sound and story in interplay, recomposing with open-source, node based multi-model workflows for production, live documenting through webdesign and keep returning to the movement practice – to empty mindfullness into mindfulness – keeping the beginners mind fresh and emptied to be filled in Daily Practice.

A video recording of the 180 seconds Social Solo Dance Ritual presentation along the music piece has been completed on Friday, October 16ths from 4 different cameras and is up for editing somewhen during the next 3 weeks. Cam1 footage video is available below.

How to fall?
PrACTice! and Fall in Love with Fallloving a Moving Call…

What we experience as “weight” is actually the sensation of being “prevented” from freefalling. To have a body is to be interrupted.

The sensation of being alive and to have weight is the result of the Earth “responding” to our presence by refusing to let us fall – while Earth itself is in constant freefall towards Sun and misses each time, weaving the Curve of Orbit..

To Be Embodied moves me into rejoining the Awe of Being a whole part of this planetary and cosmic, relational and responsive field of bodies…

afterthoughts inspired by Dr. Daniel Sutherlands lecture on the Physics of Falling

Scientific fact check of the “physics poetry” above
Self hosted Qwen3.6-35B-A3B-FP8
Thought for 6 seconds

This is a remarkably insightful piece of poetic physics. It captures the phenomenological reality of gravity and orbits with surprising accuracy, aligning beautifully with both classical and modern frameworks, though it leans heavily into Einstein’s General Relativity.

Here is a fact-check broken down by perspective:

🟢 Newtonian Physics: Mostly Accurate (with a terminology caveat)

1. “What we experience as ‘weight’ is actually the sensation of being ‘prevented’ from freefalling.”

  • Fact-Check: ✅ Correct in terms of apparent weight. In Newtonian mechanics, “true weight” is the gravitational force pulling you down (W = mg). However, what you actually feel is the normal force from the ground pushing up on you. If you were in freefall, you would feel weightless despite still having mass and gravity acting on you. The poem correctly identifies that the sensation of weight comes from the ground interrupting the fall.

2. “Earth itself is in constant freefall towards Sun and misses each time, weaving the Curve of Orbit.”

  • Fact-Check: ✅ Accurate Newtonian description. In classical mechanics, an orbit is precisely this: an object falling toward a massive body but possessing enough tangential velocity that it constantly “misses” it. The Sun’s gravity acts as a centripetal force, continuously changing Earth’s direction without changing its speed, resulting in an elliptical orbit.

🔵 Einstein’s General Relativity: Profoundly Accurate

1. “What we experience as ‘weight’ is actually the sensation of being ‘prevented’ from freefalling.”

  • Fact-Check: ✅ This is the core insight of the Equivalence Principle. Einstein realized that freefall is actually the natural, inertial state (no forces acting). When you stand on Earth, you are being constantly accelerated upward by the ground, deviating from your natural geodesic (straight path in spacetime). The “g-force” or weight you feel is literally the proper acceleration caused by the electromagnetic forces in the ground pushing you off your natural spacetime path. The poem nails this.

2. “To have a body is to be interrupted.”

  • Fact-Check: ✅ Poetic but physically sound. In GR, an unimpeded body follows a geodesic (zero proper acceleration). To “have a body” that resists this natural motion requires a physical interaction (electromagnetic forces, structural integrity) that interrupts the geodesic, resulting in proper acceleration.

3. “Weaving the Curve of Orbit.”

  • Fact-Check: ✅ Highly accurate. Einstein didn’t view orbits as forces pulling planets into curves. Instead, mass (the Sun) curves the fabric of spacetime itself. Earth isn’t being “pulled”; it’s following the straightest possible line (a geodesic) through this curved geometry. The “curve of orbit” is the spatial projection of a straight line in curved 4D spacetime.

🔴 Minor Pedantic Note

***”The result of the Earth ‘responding’ to our presence by refusing to let us fall”*

  • Physics Reality: The “response” isn’t gravitational; it’s electromagnetic. The Pauli Exclusion Principle and electron degeneracy pressure in the Earth’s crust prevent the atoms of your feet from passing through the atoms of the ground. The “refusal” is a quantum mechanical/EM repulsion, not a gravitational reaction. However, as a poetic description of the macroscopic outcome, it’s perfectly valid.

📊 Final Verdict

Scientific Accuracy: 9/10

I am honored and grateful to be a participant of the the New Art School Modality (NASM) x documenta 16 “how to fall” October 2026 course and dynamic learning community centered on forms and strategies that attend to the peril and also the potential that comes from states of falling, getting up, and stillness, as well as the interstices of these states. What emerges from an examination of these logics?

October 12th – 16th 02026 opening week, UK14, documenta city Kassel
What can be done for us – The Disembodied from the relational field of living bodies? How can we let ourselves fall back into the Great Movement and rejoin its Dance?

Phases, Chapters, Stages

A solo social movement practice for the Disembodied in 180+5 longnow seconds and 9 stages.

as a self assigned 5 day course impro-development sprint inspired by the daily lectures with a resulting presentation of the outcome performance on the last day of the opening week.
  • 0:00
    Baroque Entry

    Imitation of the past, Controlled, Pompous, Pleasing Entré

  • 0:13
    First Beat of Change

    One hearbeat and the movement of cultural history takes a slight turn of hands..

  • 0:27
    Beats of Liberation

    Breaking out of Baroque, Imitation and choreographed Limitation

  • 0:54
    Falling back, Sky & Earth

    Sweet nostalgic return of the Baroque, honoring the above and below, the Sky and..

  • 1:10
    Rising back down into the feet

    Earth Calls again

  • 1:21
    Freezing into Silenced Stillness

    Distorted, Disarranged, Dispossessed, Disembodied

  • 1:39
    Breaking apart and the rebeated revitalization of one whole half
  • 2:00
    Invitation to join the Move..ment…um..
  • 3:00
    Hold Stillness 5 longnow seconds longer if you can!

Daily, nutrient dense lectures

I felt reminded of Buddhist retreats where one receives a daily dense dose of Dharma Talks, lectures as well – the rest of the long days being “chop wood, carry water, practice”. I am grateful for and inspired by the lectures and reading lists of such diverse and passionate explorers in their respective fields. Short take aways…

Thomas F. DeFrantz

Professor at Northwestern University, directs SLIPPAGE: Performance|Culture|Technology, a humanities and creative research lab.

Thomas inspired me to Dance again – back to my roots as a Performance Artist in the 1990s and formation through Mime/Physical Theater and New Dance. Thomas took us back to the Baroque as a response to live with uncertainties and way beyond into the Future to encourage socially embodied reflection.

Vijay Iyer

A composer and pianist active and revered across multiple musical communities

Vijay deepened my musical composing inspiration and practice from Monday in his lecture on Wednesday. Composing & Dancing as an iterative Dialogue became a root theme for further exploration.

Dr. Harvey Young

Vice President for the Arts ad interim, Dean Emeritus of the College of Fine Arts, and Professor of English & Theatre at Boston University.

Harvey’s passionate observations of details in iconic and historic photographs, Performativity of Performance Art Documentation, stillness and steps not taken inspired me to observe our practice from another position.

Dr. Hortense Spillers

Professor of English, Emerita, at Vanderbilt University, is a preeminent scholar of African American literary and cultural theory.

Hortense taught me how to look deeper into a characters life and the workings of non-compliant academical contemplation.

Dr. Daniel Sutherland

Professor of Philosophy, University of Illinois Chicago.

Daniel taught me about the Physics and Philosophies of Falling.

Lauren, Josh and Carl

performer, educator, artist, researcher, weaver and associate professor

deepened my re-kindled passion for the incarnated Body Arts which have been dormant in my work life for too long…

I prefer open quest(ion)s and was happy about “How to fall?” being one of them. Yet: one very simple answer or simply wise advise crystalized as essence of the course week: How to fall ?! : PrACTice! and Fall in Love with Fallloving a Moving Call…